This Subproject examines how Congolese artists hid political criticism in their love songs in the 1970s and 1980s. These songs are not only expressions of love, but also of resistance and criticism, reflecting social and political issues. By digitizing and analyzing these works, we aim to raise awareness of these hidden voices and place them in current social contexts. Our research uses a combination of archival work, participant observation, interviews and linguistic analysis. Based on this, we want to decode the political messages in Congolese music of the 1970s and 1980s and make them visible again.